Kevin B. In a world bedazzled by intractable images, do we need the essay film now more than ever? Lee weighs up this distinctively self-aware, searching form of cinema through both video and text—Sight and Sound.
Lee on Vimeo. My own entrance into this field was an organic synthesis of my backgrounds as a film critic and a filmmaker, two modes that had competed with each other in my mind until I started to pursue the possibilities of critically exploring cinema through the medium itself. This practice is readily possible in an age when digital technology enables virtually anyone with a computer not even a video camera, as images are overly abundant and accessible to produce media with nearly as much ease as it is to consume it.
This contribution to Performance Philosophy 4.
Timothy Corrigan - The Essay Film_ From Montaigne, After Marker (2011, Oxford University Press).pdf
Adorno, Theodor W. Alter, Nora M. Arthur, Paul. Bense, Max.
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Edited by Nora M. Alter and Timothy Corrigan, 49— New York: Columbia University Press.
Corrigan, Timothy. Edited by Rosalind Galt and Karl Schoonover, — New York: Oxford University Press. De Certeau, Michel.
Essay Film From Montaigne After Marker
Discourse on the Other, 67— Minneapolis: University of Minnesota Press. De Obaldia, Claire. Oxford: Clarendon. Delbecke, Jasper. Good, Graham. The Observing Self: Rediscovering the essay. London: Routledge and Kegan Paul.
Hall, Michael L. Learn more. Volume 53 , Issue 3. The full text of this article hosted at iucr.
Philosophy of the body: The experience of music and dance
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- Essays on the Essay Film | Columbia University Press.
- To My Dear Slimeball.
- The Decentring of the Traditional University: The Future of (Self) Education in Virtually Figured Worlds;
- The essay film: from Montaigne, after Marker.
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