Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City


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To send this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. Find out more about sending content to Google Drive. In general, Victorianism created a dichotomy separating controlled human instincts from natural impulses, and modernism strove to reunite these two forces.

See B. For examples of increasingly recognizable differences between young people and adults on matters of dating, dance, and fashion in the s, see Lawrence J. James F. He is the official host of the big meeting of superintendents next month. More correctly speaking, he is the spokesman for the city of Chicago, which will play host.

Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City

The kind of man he is will influence all of us, and affects the benefits which the country will gain from the largest gathering of … educators … the world has ever seen. Gilbert Elliot Jr. Eighteen months later, the number of commercial stations had risen to By , over stations existed nationwide and over 40 percent of households owned radios. Nat Shapiro and Nat Hentoff, eds. Norton, , Giordano, Satan in the Dance Hall: Rev.

Criminal Science Monographs. While music and dance historians generally tend to prefer the term Victorian to describe critics of s cultural changes, scholars focusing on emergent youth culture are more likely to use terms like traditionalists or conservatives. One notable counterexample is Ogren, The Jazz Revolution.

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Henry F. Drake, ; and M. Drake, , 63, Another contemporary source, one perhaps prone to exaggeration, placed the number at fifty-eight thousand. Phillip Yarrow, ed.

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Mortenson could also be quite critical of less-than-attentive parents. Mortenson felt strongly the matter could be handled internally and spoke out forcefully about mayoral involvement. Dever responded to such claims by firing Mortenson, though claimed politics played no role in his decision. Mortenson's termination had little, if anything, to do with his efforts against jazz. Luther Gulick. Linda J. Susan Leigh Foster London: Routledge, , , See David R.

Gulick, preface to Folk-Dances and Singing Games, ed. Dance Research Journal ; Taylor V. A Class Act. Buckland T, ebrary, Inc. Dancing from past to present: nation, culture, identities.

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Madison, Wis: : University of Wisconsin Press Buckland T. Van Ede Y. Atkinson P. Handbook of ethnography. London: : SAGE Foster SL. Corporealities: dancing, knowledge, culture, and power. London: : Routledge Corporealities: dancing knowledge, culture and power. Buckland, Theresa Jill.

Dance Research ; Geertz C. Thomas H, Ahmed J. Cultural bodies: ethnography and theory. Oxford: : Blackwell Prickett, Stacey. Theresa Jill Buckland. Yearbook for Traditional Music ; 23 — Diamond, Elin, ed. Performance and cultural politics.

Royce AP. Anthropology of the performing arts: artistry, virtuosity, and interpretation in a cross-cultural perspective. Wolff J. The social production of art. London: : Macmillan Carter A. The Routledge dance studies reader. Fensham R, Carter A.

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Dancing naturally: nature, neo-classicism and modernity in early twentieth-century dance. Basingstoke: : Palgrave Macmillan Grau A. Journal of Dance and Somatic Practices ; 3 :5— Green J. Research in Dance Education ; 2 — Albright, Ann Cooper. Choreographing difference: the body and identity in contemporary dance. Hanover, N. Albright AC. Middletown, Conn: : Wesleyan University Press Lepecki, Andre. Of the presence of the body: essays on dance and performance theory. Intervention in an elite ballet school.

Desmond, Jane. Meaning in motion: new cultural studies of dance. Durham: : Duke University Press Carter, Alexandra, ed, ebrary, Inc. David A. Dancing the diasporic dream? Brubaker R.

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Ethnic and Racial Studies ; 28 :1— Cohen-Stratyner B. Usner E. San Juan C. Birringer J. Hodson M. Daly, ed. What Has Become of Postmodern Dance? Ross J. Prickett S. Wulff, Helena. Ballet across borders: career and culture in the world of dancers. Oxford: : Berg Kaeppler AL. Dance Chronicle ; 27 — Dance discourses: keywords in dance research. Campbell, Patrick, ed. Bakka, Egil, Felfoldi, ed.

Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City
Satan in the Dance Hall: Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City

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