German String Traditions in the Fifteenth Century, pp. The Life and Work of an American Composer, , pp.
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- Forgiveness, The First Step To Beat Depression Naturally - Letting Go (10 Steps To Beat Depression Naturally).
- Head Above Water.
Jazz Improvisation as Composition, pp. Some New Discoveries and Observations, pp. New Sources in Context, pp. Resonances, , pp. A Journey of Invention , by Charles M. The Frottola at Mantua and Ferrara, pp. An Approach to Analysis, pp. Pioneering African American Gospel Composers , pp.
Publications of Mediaeval Musical Manuscripts , pp. The Making of an Artist , and D. Kern Holoman, Berlioz , pp. Images and Reflections , by Ralph P. A History , by Richard Crawford, pp. Beethoven and the Transformation of Keyboard Style , pp. Walter Frye and the Contenance Angloise , pp. Serial Composition and Atonality , pp. What Josquin Learned in the Sistine Chapel, pp.
- Choral Mediations in Greek Tragedy edited by Renaud Gagné.
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- Cavie (Piccola biblioteca oscar) (Italian Edition).
The Pelican History of Music , pp. Text, Context, Interpretation , edited by Neal Zaslaw, pp.
Dramma giocoso per musica in due atti di Angelo Anelli, edited by Azio Corghi, pp. Early Symptom of a Fatal Condition, pp. Two Case Studies, pp. Its Roots and Offshoots , edited by Mark Slobin, pp. Constructing the National, Seeking the Cosmopolitan, pp. Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maitre, pp. Nelson, The Technique of Variation , pp. Sources and Style , pp. Intimate Art and the Aesthetics of Life, pp. Bach, Collected Works for Solo Keyboard , ed.
The Orchestra from Beethoven to Berlioz , pp. A New Interpretation, pp. Rethinking the Collective in Music, pp. An Introduction , pp. Isadora Duncan and Wagnerism in the American Imagination, pp. Peter le Huray and James Day, pp.
Harmoniae Morales , pp. Thematic Catalogue , pp. Gender and Sexuality in Music Scholarship , pp. Ihr Bau und ihre Geschichte. The Identities of Oriana and Diana, pp. Some Questions of Veracity, pp. Studies in Musical Biography , and Kerala J.
Hymni per totum annum3, 3, 5, 6 vocibus , pp. Die Entstehungsgeschichte der Violinetude. Disability in Music and Music Theory, pp. Hermeneutic Traditions and the Challenge of Performance, pp. A Documentary Report , pp. Wagnerism, Nationalism, and Style , by Steven Heubner, pp. Stravinsky, The Composer and His Works , pp.
Players, Patrons, and Politics , by Gretchen Peters, pp. Stone and Lester Monts, Directors. A Manifestation of American Folk Culture , pp. Westphal — A Clarification , pp.
Rameau and the Tragic Tradition , by Charles Dill, pp. Musikalische Werke , pp. Declaratio musicae disciplinae , pp. Music in the Renaissance , pp. Three Centuries of Harpsichord Making , pp. De Nederlandse liederen van de handschriften Amsterdam en Utrecht , pp. An Anthology of Musical Criticism , pp. Gregorian Chant , pp. The Meaning of a Format , by Jonathan Sterne, pp. A Poetics of Entertainment , by Mary Hunter, pp. Remarks on their Origin and Early History, pp.
The Unwritten Tradition, pp. Opera omnia , pp.
Everett; and Frank Loesser , by Thomas L. A Recent Discovery , pp. A New Source, pp. The Galant Style, , by Daniel Heartz, pp. A Review of the Documentary Biographical Evidence, pp. Music in New Hapshire, , pp. The Composer as Self-Publisher, pp. Carl Maria von Weber , pp. Erster Band , and Robert W. A Study of the Development of Danmono, pp. The Mulliner Book , pp.
Martial to Notre Dame, pp. Die Musik in Geschichte und Gegenwart , pp. Bibliografia della musica strumentale italiana stampata in Italia fino al , pp. Structural Hearing , pp. A Communication , pp.
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Musical Life and Ideas in France, , pp. A Retrospective Index Series, pp. The Thematic Process, pp.
Harmonic Practice , pp. Music in Bali , pp. Catalogue par Nanie Bridgman , pp. A Response to Rob Wegman, pp. A Musical Offering for Princess Amalia? Hearing with the Eyes , by Cristle Collins Judd, pp. Problems of Style and Terminology, pp.
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